Two powerhouse producers come together with raw, industrial sounds and intricate sonic explorations.<\/p>\n
Opening up the proceedings are two cuts from Under Black Helmet \u2018Slicer\u2019 is a glistening but melancholic journey into intense electronics, with a minimal framework driven forward by subtle semitone shifts in the bassline. \u2018The Games You Play\u2019 leans into sparser surrounds with paired back glitching pitches and a complex web of cross rhythmic drums.<\/p>\n
On the flip side, ROMMEK ‘s \u2018Kiss of Life\u2019 is a densely layered orchestration of pitch bends and stuttering percussion that morphs gradually from swaying synths to operatic wails, toying with the contours of reality. Closing things off, the eerily titled \u2018The Owls Are Not What They Seem\u2019 builds to a storm of detuned bells and hammerdrill leads, marching further into
\nthe woods than might be advised.<\/p>\n
As two producers with equally immersive sonic worlds and distinct approaches, this meeting of minds traverses raw to refined productions, offering a contrasting package where atmospheric tensions collide.As two producers with equally immersive sonic worlds and distinct approaches, this meeting of minds traverses raw to refined productions, offering a contrasting package where atmospheric tensions collide.<\/p>\n